We´ve been getting really good reviews in most places..

in Denmark folks have been really positive

Soundvenue *****
Extra Bladet *****
Kultunaut *****
Gaffa ****
Fyens ****
Metro Express *****
Urban ****
Berlingske Tidende ****
for full articles.. check out my web

De Morgen - 5/5 - Drik Steenhuast (Belgium)

the album is getting great review in Germany.. I´m told.. I dond know german (yet) but if you do you can go on my web.. it´s all there.. and the France have been really positive.. check it out..

Time Out UK 4/6  - Sharon O´Connel 
- the Icelander has now ditched the laptop and discovered the rock beast within..

The independent 3/5 - Andy Gill
This is an album that vacillates wildly between extremes of emotion – from the reflective mood of the country-blues-styled "The Pathetic Anthem" to the Napalm Death-like growl of "I'm Alright". It's an intense, almost schizoid, experience, impressive in its own way

artrocker.com 4/5 - Gareth Mytton
This, his third album, is steeped in a rich brew of drink, love, women and religion. Opener 'Mugiboogie' sounds like a statement of intent, slinging together beefy Hammond organ chords with stomping beats that are part glam rock and part Battles.
"The fear of losing someone close is never far away..."

Spin 3/5 by Stacey Andeerson
Mugison has often been stamped as the Icelandic Beck, but on his fourth album, he edges onto John Lennon's turf.

Clash - Mugiboogie review
an iniorating, electric listen...  landing a devastating punch with this unclassifiable new record. Worth so much more than a fleeting investigation.

NME 0/10 by Rebecca Robinson
.. Mugibogie is a polluted lake full of used condoms and puppy corpses.

Paste - by Brian Howe
If you dumped blues, power pop, psych rock and heavy metal into a transmogrifying machine, the machine would rumble mysteriously, then spit out a brightly colored block of a hitherto unimagined polymer known as Mugison.


Prefix Mag 8.5/10
..... is undeniably original, sometimes hard to listen to, but always interesting. Mugison's interpretation of rock 'n' roll lands somewhere between Ryan Adams and the Pixies, with extended instrumental interludes that highlight his singularity as an artist.